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South Dakota "students in all grade levels should
have access to a balanced, comprehensive, and sequential program of music
instruction taught by qualified teachers" using quality literature,
materials, and technology. (Adapted from Music Educator's National
Conference Opportunity to Learn Standards.)
INTRODUCTION
Music serves as a frame of reference to the culture and the environment
that created it. Music is basic for students of all ages and abilities. It
should be taught as its own discipline, as well as an integral part of
other curricular areas. Music instruction needs to be developmentally
appropriate, relevant, and lead to life-long learning. The role that music
will play in students' lives depends in large measure on the level of
skills they achieve in creating, performing, and listening to music.
Technology should be used to enhance and broaden students' capabilities to
access information and express themselves creatively.
Music provides opportunities for self-expression, creativity and
aesthetic awareness through appreciation, active classroom participation,
creative production and performance. People of all cultures, beliefs, and
societies are connected through music as a form of universal
communication. Musical instruction develops awareness and understanding
from a cultural and historical perspective.
The music standards define what South Dakota's students need to know
and be able to do in music.* In addition, they recognize that music is a
vehicle for broader understanding and knowledge. By utilizing these
standards and the ideals they represent, South Dakota schools will develop
students who are musically literate consumers and producers.
* Two levels of
achievement, "proficient" and "advanced," have been
established for grades 9-12. The proficient level is intended for students
who have completed courses involving relevant skills and knowledge for one
to two years beyond grade 8. The advanced level is intended for students
who have completed courses involving relevant skills and knowledge for
three to four years beyond grade 8. Students at the advanced level are
expected to achieve the standards established for the proficient as well
as the advanced levels
MUSIC STANDARDS
Students will use the performance of music as a means for creative
expression and communication.
Students will communicate their thoughts and ideas through the
creation of music.
Students will read and notate music.
Students will listen to, analyze, and evaluate music.
Students will understand music's relationship to society, the other
arts, disciplines outside the arts, history, and culture.
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Standard One: Performing
Students will use the performance of music as a means for creative
expression and communication.
RATIONALE: Musical performance is one way of developing
effective communicators. Through the performance of music, students
develop confidence, self-discipline, and the ability to work with others.
They see themselves as a relevant part of their world and integrate prior
knowledge and personal experiences into a variety of endeavors. The music
they perform or study often becomes an integral part of their personal
musical repertoire.
Indicator:
- Students will sing, alone and with others, a varied repertoire of
music.
K 2 Benchmarks
Students will
- sing and match a simple melodic pattern in their vocal range.
- sing simple songs in various keys, meters and genres, becoming
increasingly accurate in pitch and rhythm.
- sing from memory a varied repertoire of songs representing genres
and styles from diverse cultures and ethnic groups.
- use their voices expressively as they speak, chant, and sing.
- sing simple ostinati or chants with another vocal part.
3 - 4 Benchmarks
Students will
- sing independently, on pitch and in rhythm, with appropriate
technique, diction, and posture, while maintaining a steady tempo.
- sing expressively, with appropriate dynamics, phrasing, and
interpretation.
- sing from memory a varied repertoire of songs representing genres
and styles from diverse cultures.
- sing ostinatos, partner songs, and rounds.
- sing in groups, blending vocal timbres, matching dynamic levels, and
responding to the cues of a conductor.
5 8 Benchmarks
Students will
- sing with good vocal technique, pitch and rhythmic accuracy, and
expression throughout their singing ranges.
- sing with expression and technical accuracy a repertoire of both
read and memorized, age-appropriate vocal literature, which includes
changes in tempo, key and meter.
- sing music representing diverse genres and cultures, with expression
appropriate for the work being performed.
- sing music written in two and three parts.
Students who participate in a choral ensemble will
- sing with expression and technical accuracy a varied repertoire of
vocal literature, which includes moderate technical demands, ranges,
and varied interpretive requirements, including some songs performed
from memory.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- sing with expression and technical accuracy a large and varied
repertoire of vocal literature, which requires well developed
technical skills, attention to phrasing and interpretation, and
ability to perform various meters and rhythms in a variety of keys,
including some songs performed from memory.
- sing music written in four parts, with and without accompaniment.
- perform an appropriate part in an ensemble, demonstrating
well-developed ensemble skills.
Achievement Standard, Advanced:
Students will
- sing with expression and technical accuracy a large and varied
repertoire of vocal literature, which includes advanced technical and
interpretive skills.
- sing music written in more than four parts.
- sing in small ensembles with one student on a part.
Indicator:
- Students will perform on instruments, alone and with others, a varied
repertoire of music.
K 2 Benchmarks
Students will
- play simple melodies and accompaniment on instruments maintaining a
steady tempo.
- perform simple rhythmic and melodic ostinati while students sing a
contrasting part.
- perform music from different cultures and ethnic groups.
- experiment with instruments for accompaniments to music or creative
movement.
3 - 4 Benchmarks
Students will
- perform on pitch, in rhythm, and with appropriate dynamics and
technique, while maintaining a steady tempo.
- perform simple rhythmic, melodic, and chordal patterns accurately
and independently on instruments.
- perform expressively a varied repertoire of music representing
diverse genres and styles.
- echo short rhythmic and melodic patterns.
- perform in groups, blending instrumental timbres, matching dynamic
levels, and responding to the cues of a conductor.
- perform independent instrumental parts while other students sing or
play contrasting parts.
5 8 Benchmarks
Students will
- perform on at least one instrument accurately and independently with
proper instrumental technique.
- perform with expression and technical accuracy on at least one
string, wind, percussion, or classroom instrument, a developmentally
appropriate repertoire of instrumental literature.
- perform music representing diverse genres and cultures, with
expression appropriate for the work being performed.
- play by ear simple melodies on a melodic instrument and simple
accompaniments on a harmonic instrument .
Students who participate in an instrumental ensemble or class will
- perform with expression and technical accuracy a varied repertoire
of instrumental literature, which includes moderate technical demands,
ranges, and varied interpretive requirements.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- perform with expression and technical accuracy a large and varied
repertoire of instrumental literature.
- perform an appropriate part in an ensemble, demonstrating
well-developed ensemble skills.
- perform in small ensembles with one student on a part.
Achievement Standard, Advanced:
Students will
- perform with expression and technical accuracy a large and varied
repertoire of instrumental literature, which includes advanced
technical and interpretive skills.
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Standard Two: Creating
Students will communicate their thoughts and ideas through the creation
of music.
RATIONALE: Composing and improvising provide students with
unique insight into the form and structure of music and, at the same time,
help them to develop their creativity. Working within the form and
structure of music, students gain the ability to problem-solve and apply
their basic knowledge using higher level thinking skills. These skills are
enhanced through emerging technology.
Indicator:
- Students will improvise melodies, variations, and accompaniments.
K 2 Benchmarks
Students will
- improvise "answers" to short rhythmic and melodic phrases.
- improvise simple rhythmic and melodic accompaniments.
- improvise songs to accompany stories and dramatizations.
3 - 4 Benchmarks
Students will
- improvise "answers" in the same style to given rhythmic
and melodic phrases.
- improvise simple rhythmic and melodic ostinato accompaniments.
- improvise simple rhythmic variations and simple melodic
embellishments on familiar melodies.
- improvise short songs and instrumental pieces, using a variety of
sound sources.
5- 8 Benchmarks
Students will
- improvise simple harmonic accompaniments.
- improvise melodic embellishments and simple rhythmic and melodic
variations on given pentatonic melodies and melodies in major and
minor keys.
- improvise short melodies, unaccompanied and over given rhythmic
accompaniments, each in a consistent style, meter, and tonality.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- improvise stylistically appropriate harmonizing parts.
- improvise rhythmic and melodic variations on given pentatonic
melodies and melodies in major and minor keys.
- improvise original melodies over given chord progressions, each in a
consistent style, meter, and tonality.
Achievement Standard, Advanced:
Students will
- improvise stylistically appropriate harmonizing parts in a variety
of styles.
- improvise rhythmic and melodic variations on melodies in blues and
modal scales.
- improvise original melodies in a variety of styles, over given chord
progressions, each in a consistent style, meter, and tonality.
Indicator:
Students will compose and arrange music within
specified guidelines.
K 2 Benchmarks
Students will
a. create short pieces of music using voices, instruments, and other
sound sources.
3 - 4 Benchmarks
Students will
- create and arrange music to accompany readings or dramatizations.
- create and arrange simple rhythmic and melodic pieces within
specific guidelines, using a variety of sound sources.
5 8 Benchmarks
Students will
- compose short pieces which demonstrate the elements of unity and
variety, tension and release, and balance.
- compose or arrange simple pieces for voices or instruments using a
variety of sound sources.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- compose music in several distinct styles, demonstrating creativity
in using the elements of music for expressive effect.
- arrange pieces for voices or instruments other than those for which
the pieces were written.
- compose and arrange music for voices and various acoustic and
electronic instruments, demonstrating knowledge of the ranges and
traditional usages of the sound sources.
Achievement Standard, Advanced:
Students will
- compose music, demonstrating imagination and technical skill in
applying the principles of composition.
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Standard Three: Reading
Students will read and notate music.
RATIONALE: Learning to read and notate music gives students
skills with which to explore music independently and with others. Reading
music promotes higher level thinking skills through translation of symbols
and serves as a means of communication throughout the world. A firm
grounding in this standard lays the foundation for life long learning.
Indicator:
- Students will read and notate music.
K 2 Benchmarks
Students will
- read whole, half, quarter, and paired eighth notes and quarter rests
in 2/4, 3/4, and 4/4 meter.
- use a system (i.e. syllables, numbers, or letters) to begin to read
simple pitch notation on a staff.
- recognize dynamics and tempo and interpret them correctly.
3 - 4 Benchmarks
Students will
- read whole, half, dotted half, quarter, and eighth notes and rests
in 2/4 , 3/4 , and 4/4 meter signatures.
- use a system (i.e. syllables, numbers, or letters) to read simple
pitch notation in the treble clef.
- identify symbols and traditional terms referring to dynamics, tempo,
and articulation and interpret them correctly when performing.
- use standard symbols to notate meter, rhythm, pitch, and dynamics in
simple patterns.
5 8 Benchmarks
Students will
- read whole, half, quarter, eighth, sixteenth, and dotted notes and
rests in 2/4 , 3/4 , 4/4 , 6/8 , 3/8 , and alla breve meter
signatures.
- read at sight simple melodies in treble and/or bass clefs.
- read standard notation symbols for pitch, rhythm, dynamics, tempo,
articulation, and expression.
- use standard notation to record their musical ideas and the musical
ideas of others.
- read non-standard notation symbols used by some 20th
century composers.
Students who participate in a choral or instrumental ensemble or
class will
- sight-read music which contains changes of tempo, key and meter.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- demonstrate the ability to read an instrumental or vocal score of up
to four staves.
Students who participate in a choral or instrumental ensemble or class
will
- sight-read music which contains moderate technical demands, expanded
ranges, and varied interpretive requirements.
- interpret non-standard notation symbols used by some 20th
century composers.
Achievement Standard, Advanced:
Students will
- demonstrate the ability to read a full instrumental or vocal score
and explain all transpositions and clefs.
Students who participate in a choral or instrumental ensemble or
class will
- sight-read, accurately and expressively, music which requires well
developed technical skills.
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Standard Four: Listening
Students will listen to, analyze, and evaluate music.
RATIONALE: Listening to, analyzing, and evaluating music are
important building blocks of musical learning. These skills expand musical
appreciation, expression, and the justification of musical preferences,
leading to knowledgeable consumers and supporters of music. They also
provide a foundation for critical thinking.
Indicator:
1. Students will listen to, analyze, and describe music.
K 2 Benchmarks
Students will
- begin to identify simple music forms.
- identify the timbre of instruments and voices.
- respond through movement to music of various tempos, meters,
dynamics, modes, genres, and styles to express what they hear and feel
in works of music.
3 - 4 Benchmarks
Students will
- identify simple music forms when presented aurally.
- use appropriate terminology in explaining music, music notation, music
instruments and voices, and music performances.
- identify the sounds of a variety of instruments and voices
representing diverse styles, genres, and various cultures.
5 8 Benchmarks
Students will
- describe specific music events in a given aural example, using
appropriate terminology.
- analyze the uses of elements of music in aural examples representing
diverse genres and cultures.
- Demonstrate understanding of the basic principles of meter, rhythm,
tonality, intervals, chords, and harmonic progressions in their
analyses of music.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- analyze aural examples of a varied repertoire of music, representing
diverse genres and cultures, by describing the uses of elements of
music and expressive devices.
- demonstrate understanding of the technical vocabulary of music.
Achievement Standard, Advanced:
Students will
- compare ways in which the elements of music and expressive devices
are used in works of the same genre or style.
Indicator:
2. Students will evaluate music and music performances.
K 2 Benchmarks
Students will
- use their own vocabulary and standard music terminology to explain
personal preferences for specific musical works and styles.
3 - 4 Benchmarks
Students will
- evaluate performances and compositions given specific criteria.
- explain, using appropriate music terminology, their personal
preferences for specific musical works and styles.
5 8 Benchmarks
Students will
- develop criteria including the basic elements of music for
evaluating the quality and effectiveness of music performances and
compositions and apply the criteria in their personal listening and
performing.
- evaluate the quality and effectiveness of their own and others'
performances, compositions, arrangements, and improvisations by
applying specific criteria appropriate for the style of the music and
offer constructive suggestions for improvement.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- develop specific criteria for making informed, critical evaluations
of the quality and effectiveness of performances, compositions,
arrangements, and improvisations and apply the criteria in their
personal participation in music.
- evaluate a performance, composition, arrangement, or improvisation
by comparing it to similar or exemplary models.
Achievement Standard, Advanced:
Students will
- evaluate a given musical work in terms of its aesthetic qualities
and explain the musical elements it uses to evoke feelings and
emotions.
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Standard Five: Understanding Relationships
Students will understand musics relationship to society, the other
arts, disciplines outside the arts, history, and culture.
RATIONALE: Integration of other disciplines with music helps
students see relevance and connections among all curricular areas. Music
is a frame of reference for the culture and environment which created it.
Because music is an integral part of human history, the ability to listen
with understanding is essential if students are to gain a broad cultural
and historical perspective. By understanding the cultural and historical
forces that shape social attitude and behaviors, students are better
prepared to live in communities that are increasingly multicultural.
Through an understanding of others, we increase our understanding of self.
Indicator:
1. Students will understand relationships between music, the other
arts, and disciplines outside the arts.
K 2 Benchmarks
Students will
- perform and listen to music that correlates to other curricular
areas.
3 - 4 Benchmarks
Students will
- identify similarities and differences in the meanings of common terms
used in the various arts.
- identify ways in which the content of other disciplines is
interrelated with that of music.
5 8 Benchmarks
Students will
- compare in two or more arts how the characteristic materials of each
art can be used to transform similar events, scenes, emotions, or
ideas into works of art.
- describe ways in which the principles and subject matter of other
disciplines taught in the school are interrelated with those of music.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- explain and cite examples of how elements, artistic processes, and
organizational principles are used in similar and distinctive ways in
the various arts.
- compare characteristics of two or more arts within a particular
historical period or style and cite examples from various cultures.
- explain ways in which the principles and subject matter of various
disciplines outside the arts are interrelated with those of music.
Achievement Standard, Advanced:
Students will
- compare the uses of characteristic elements, artistic processes, and
organizational principles among the arts in different historical
periods and different cultures.
- compare and contrast careers in the arts.
Indicator:
- Students will understand music in relation to history and culture.
K 2 Benchmarks
Students will
- perform and listen to music from various genres, styles, cultures,
and ethnic groups.
- demonstrate an awareness of music as a part of daily life.
3 - 4 Benchmarks
Students will
- identify by genre or style aural examples of music from various
historical periods, cultures, and ethnic groups.
- describe in simple terms how elements of music are used in music
examples from various cultures of the world.
- identify various uses of music in their daily experiences and
describe characteristics that make certain music suitable for each
use.
- identify and describe roles of music and musicians in various music
settings and cultures.
- demonstrate audience behavior appropriate for the context and style
of music performed.
5 8 Benchmarks
Students will
- describe distinguishing characteristics of representative music
genres and styles
- from a variety of cultures and ethnic groups.
- classify a variety of musical works by genre, style, and culture and
explain the characteristics that cause each work to be considered
exemplary.
- compare, in several cultures of the world, functions music serves,
roles of musicians, and conditions under which music is typically
performed.
9 12 Benchmarks
Achievement Standard, Proficient:
Students will
- classify by genre or style and by historical period or culture, or
ethnic group, aural examples of music and explain the reasoning behind
their classification.
- identify sources of American music genres, trace the evolution of
those genres, and cite well-known musicians associated with them.
- identify various roles that musicians perform, cite representative
individuals who have functioned in each role, and describe their
activities and achievements.
Achievement Standard, Advanced:
Students will
- identify and explain the stylistic features of a given musical work
that serve to define its aesthetic tradition and its historical or
cultural context.
- identify and describe music genres or styles that show the influence
of two or more cultural traditions, identify the cultural source of
each influence, and trace the historical conditions that produced the
synthesis of influences.
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GLOSSARY OF TERMS
Aesthetic: relating to or dealing with the
beautiful; appreciative of or responsive to the beautiful; having to do
with the nature of beauty, the nature and value of art; relating to
artistic qualities or experiences derived from or based upon the senses
and how they are affected or stimulated.
Aesthetic criteria: standards used for assessing the effectiveness
of fine art forms. These may include the quality of physical perception,
emotional makeup of the participant, and the context in which the
particular art form is being experienced.
Alla breve: The *meter signature indicating the equivalent of 2/2
time.
Articulation: In performance, the characteristics of attack and
decay of tones and the manner and extent to which tones in sequence are
connected or disconnected.
Characteristics: components of music, such as *meter, rhythm,
*tonality, intervals, chords, harmonic progressions.
Classroom instruments: Instruments typically used in the general
music classroom, including, for example, recorder-type instruments,
chorded zithers, mallet instruments, simple percussion instruments,
*fretted instruments, keyboard instruments, and electronic instruments.
Dynamic levels, dynamics: Degrees of loudness.
Elements of music: Pitch, rhythm, harmony, *dynamics, *timbre,
texture, *form
Expression, expressive, expressively: With appropriate *dynamics,
phrasing, *style, and interpretation and appropriate variations in
dynamics and tempo.
Form: The overall structural organization of a music composition
(e.g., AB, ABA, call and response, rondo, theme and variations,
sonata-allegro) and the interrelationships of music events within the
overall structure.
Fretted instruments: Instruments with frets (strips of material
across the fingerboard allowing the strings to be stopped at predetermined
locations), such as guitar, ukulele, and sitar.
Genre: A type or category of music (e.g., sonata, opera, oratorio,
art song, gospel, suite, jazz, madrigal, march, work song, lullaby,
barbershop, Dixieland).
Intonation: The degree to which pitch is accurately produced in performance,
particularly among the players in an ensemble.
Level of difficulty: For purposes of these standards, music is
classified into six levels of difficulty:
Meter. The grouping in which a succession of rhythmic pulses or
beats is organized; indicated by a *meter signature at the beginning of a
work.
Musicality: refers to the expression or expressiveness of
performance; performing with appropriate *dynamics, phrasing, *style, and
interpretation and appropriate variations in dynamics and tempo.
Organizational principles: underlying characteristics of music,
such as unity variety or repetition and contrast.
Ostinato: A short musical pattern that is repeated persistently
throughout a composition.
Staves: Plural of staff (the five parallel lines on which music is
written).
Style: The distinctive or characteristic manner in which the
*elements of music are treated. In practice, the term may be applied to,
for example, composers (the style of Copland), periods (Baroque style),
media (keyboard style), nations (French style), *form or type of
composition (fugal style, contrapuntal style), or *genre (operatic style,
bluegrass style).
Technical accuracy, technical skills: The ability to perform with
appropriate *timbre, *intonation, and diction and to play or sing the
correct pitches and rhythms.
Timbre: The character or quality of a sound that distinguishes one
instrument, voice, or other sound source from another.
Tonality: The harmonic relationship of tones with respect to a
definite center or point of rest; fundamental to much of Western music
from ca. 1600.
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